Associated Press Guide to Photojournalism (Associated Press Handbooks) | 
enlarge | Author: Brian Horton Publisher: McGraw-Hill Category: Book
List Price: $19.95 Buy Used: $7.49 You Save: $12.46 (62%)
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Rating: 12 reviews
Media: Paperback Edition: 2nd Pages: 224 Number Of Items: 1 Shipping Weight (lbs): 0.8 Dimensions (in): 9.1 x 7.3 x 0.4
ISBN: 0071363874 Dewey Decimal Number: 778.9907049 UPC: 639785323457 EAN: 9780071363877
Publication Date: October 30, 2000 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: Almost like new clean tight softcover 1017 09
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Product Description Written by noted AP photographer and photoeditor Brian Horton, this is an insider's manual to one of the most glamorous and exciting media professions. Emphasizing the creative process behind the photojournalist's art, Brian Horton draws upon his three decades of experience, as well as the experiences of other award-winning photojournalists, to instruct readers in the secrets of snapping memorable news photos every time. With the help of more than 100 photographs from the AP archives, he analyzes what constitutes successful news photos of every type, including portraits, tableaux, sports shots, battlefield scenes, and more, as well as offering tips on how to develop a style of your own.
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| Customer Reviews: Read 7 more reviews...
Guide to Photoournalism October 27, 2008 Fountain Pen User (Tavares, FL) Excellent text, well illustrated, and very helpful as a supplement to required texts for elementary college courses.
Bedtime stories February 16, 2008 Dave Holland (Canada) It's an easy read, with interviews of assorted veterans of the PJ world. Most of these guys worked in the film era, so don't expect much on digital technique. In fact it's more about the human experience of these people, as they do their job as silent, passive witnesses to history. I can't say I learned anything, but I did read the whole thing, so it was cheap entertainment. If you are looking for practical advice or technical guidance you need to look for something less dated. These are bedtime stories, kinda like the stories my grandma told me years ago. Dave
Good if taken as what it is: a basic guide November 6, 2007 James D. Crabtree (Fayetteville, NC USA) 1 out of 1 found this review helpful
This book clearly is not meant for advanced journalism students but it's perfect for someone working as a stringer or a novice who is thinking about entering this field. The most important aspects of photojournalism are covered, including a section on electronic ethics. If ever you needed a good reason to keep ethical standards then the "Photoshop War" run by Reuters last year in Lebanon is an excellent example: one of their photojournalist was actively creating even more photo-edited havoc and carnage than what was actually happening... and slanting the images to make it appear as if Israel was indiscrimately destroying Beirut. I'd like to see an updated edition of this book that takes this into account but I doubt I'll see it any time soon.
Way too basic August 15, 2006 Micah L. Albert (California) 3 out of 7 found this review helpful
If you are extreamly new at photography or maybe working for a high-school newspaper, this book would work well. For anyone that is serious about hard-core photojournalism, like the professionals the book highlights, I do not recomend it. I was looking for a book on some on ways to break into some of the big names. I just assumed that since it was an AP book.
"A Good Primer on Photojournalism (PJ)" July 17, 2006 Russell A. Rohde MD (West Covina, California USA) 10 out of 10 found this review helpful
"Associated Press Guide to Photojournalism", Brian Horton, McGraw-Hill NY, 2nd. ed. 2001, ISBN 0-07-136387-4, SC 223 pgs. Sports photo editor at A-P since 1971, Horton has many credits including 2 books on news photography. This text explains PJ (picture story) - how a photographer "sees the story" is a skill requiring experience, insight, anticipation, inventiveness, & a passion. Often "breaking stories" are heavily covered & many photos require sensitivity, rapport, knowledge of equipment so to acquire a style using composition, cropping & those angles to communicate photo stories of news, emotions, life experiences, etc. Horton quotes an A-P policy adopted in 1990 indicating "the content of a photograph will never be changed or manipulated in any way". Horton then goes on to recite of some widely published photos with recognized manipulations & public outcries leading to general distrust of media by the populace (& rightly so!). Indeed, even cropping can be viewed as manipulation, the latter generally a product of Madison Avenue influences that shouldn't reflect PJ integrity (need for well insulated photo editors). Relying on "photo setups" can numb public's perceptions & lessen reality. Telephoto lenses as 80-200 zoom provides close-ups without intrusion despite an onerous sanctifying of 24 mm wide-angle to fill the frame by getting into the subject's face & personal space. Author interviews 8 pros on their perspectives & experiences in PJ & then concludes with a short summary of some changes in photography over the past half-century, namely the gradual switch from 4"x5" to 2 1/4" to 35 mm to color & now electronic (digital) imaging. As a former newspaper photographer I'd been taught a good PJ shot did not require a title. I found Horton's book exacting, full of exciting photos, many good "how to" tips, and how PJ news photography has evolved into specialized art forms for optimum coverage of war, natural disaster, politics, crime, disease & subspecialities of certain sports as basketball, football, Olympics, Indy 500, etc. It is a pleasant, informative read, not overtly technical & fairly priced.
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