| The Blue Dahlia |  | Director: George Marshall
Actors: Alan Ladd, Veronica Lake, William Bendix, Howard Da Silva, Doris Dowling
Category: DVD
This item is no longer available
Rating:  23 reviews
Format: NTSC
Running Time: 96 Minutes
Theatrical Release Date: April 19, 1946
| |
| Similar Items:
| |
| Customer Reviews:
Showing reviews 1-5 of 23
Ladd And Lake Team Up Again November 9, 2009
Lionel Bourg (Natchitoches, LA---USA)
THE BLUE DAHLIA(1946)---Alan Ladd, Veronica Lake, William Bendix, Howard da Silva, Hugh Beaumont, Doris Dowling(Directed by George Marshall)
Another film pairing Ladd and Lake, it was scripted by Raymond Chandler. Ladd, Bendix, and Beaumont play three army buddies returning home after WWII. Ladd is married to Doris Dowling and soon discovers that she has been unfaithful to him, primarily with da Silva, who is part-owner of the nightclub from which the film derives its title. When Dowling is murdered, Ladd becomes a prime suspect and has to "go on the lam" while trying to prove his innocence and find the real killer. Lake plays the estranged wife of da Silva who---surprise, surprise---befriends Ladd and, along with Bendix and Beaumont, aids him in extricating himself from his situation. While Ladd and Lake are no "Tracy/Hepburn", they do have a certain "chemistry" together, and were paired in several movies, e.g., THIS GUN FOR HIRE; THE GLASS KEY; etc. This is all standard noir fare, but it is a fast-paced(always important to me) film and one that pulls the viewer in(IMO) right from the start---as usual, Chandler's script is full of "snappy dialogue". Bendix is good as Ladd's war buddy who suffered a head wound and has a steel plate in his head---consequently, he suffers from memory lapses and has a low tolerance for "noise", things that have a significant bearing on the film. I had long wanted to see this movie and it lived up to my expectations---I would highly recommend this movie to noir/"murder mystery" fans
 One of the essential film noirs June 1, 2008
Nick A. (New York, NY USA)
The Blue Dahlia is a quintessential film noir, one of the great films that defined the genre. Army men return from World War II to find their wives drunk and cheating with scumbag jazz club owners. Whether this film has not been released on DVD in the U.S. is quite curious, considering almost every film noir has been burned onto DVD in various collections of the genre. My guess is that Turner owns the film, and hopes to air it only on TCM, or the potentially racist comment in the film has people worried. There were racists in the 1940s, and denying it by not releasing a film is pretty silly.
BLUE DAHLIA AND BLUE ME TOO!! December 3, 2007
Robert M. Bonnett (towson, md.)
Yes I'm as blue as the Dahlia when i cant get this on DVD even though the last release was 12 years ago! Hey! Wake up! We dont by VHS anymore! Its been DVD for most of us for some 10 years now! Why dont you guys catch up and give us what we want. We would love to buy Veronica Lake movies if they were only available to us!
"Blue Dahlia (1946) ... Alan Ladd ... Paramount Pictures Film Noir" March 20, 2007
J. Lovins (Missouri-USA)
2 out of 3 found this review helpful
Paramount Pictures present "BLUE DAHLIA" (1946) (100 mins/B&W) (Dolby digitally remastered) --- Starring Alan Ladd, Veronica Lake, William Bendix, Howard da Silva, Doris Dowling & Hugh Beaumont --- Directed by George Marshalland released in April 19, 1946, our story line and film, Ex-bomber pilot Johnny Morrison and his buddies George and Buzz (who, with a metal plate in his head, can't stand "monkey music"), return from the war to their home town, Hollywood ... In a rude homecoming, Johnny finds his wife Helen behaving like a tramp with oily nightclub owner Eddie Harwood. His marriage over, Johnny wanders off into the night, leaving his gun behind...and someone uses it to murder Helen ... Dodging cops and seeking the real killer, Johnny is aided by blonde Joyce, who just happens to be the estranged wife of Eddie Harwood ... Bendix gets in the top billing with stars Ladd and Lake because he's also a radio star because of the Life of Riley Show ... Bendix shows signs of post traumatic stress at a time when that diagnosis had not been invented --- tidy film noir utilizing the only film script Raymond Chandler wrote directly for the screen - a script for which he earned an Academy Award Nomination --- Alan Ladd and Veronica Lake made 7 films together, "The Blue Dahlia" (1946), "Duffy's Tavern" (1945), "The Glass Key" (1942), "Saigon" (1948), "Star Spangled Rhythm" (1942), "This Gun for Hire" (1942) and "Variety Girl" (1947). "In Variety Girl" (1947), "Star Spangled Rhythm" (1942) and "Duffy's Tavern" (1945) they appear as themselves.
Under George Marshall (Director / Producer), John Houseman (Producer), Raymond Chandler (Screenwriter), Lionel Lindon (Cinematographer), Victor Young (Musical Direction/Supervision / Composer (Music Score), Arthur P. Schmidt (Editor), Hans Dreier (Art Director), Walter Tyler (Art Director), Sam Comer (Set Designer), Jimmy Walter (Set Designer), James M. Walters (Set Designer), Edith Head (Costume Designer), Gene Merritt (Sound/Sound Designer), Joel Moss (Sound/Sound Designer), Wally Westmore (Makeup) - - - - the cast includes Alan Ladd (Johnny Morrison), Veronica Lake (Joyce Harwood), William Bendix (Buzz Wanchek), Howard Da Silva (Eddie Harwood), Doris Dowling (Helen Morrison), Tom Powers (Capt. Hendrickson), Hugh Beaumont (George Copeland), Howard Freeman (Corelli), Don Costello (Leo), Will Wright (Dad Newell), Frank Faylen (The Man), Walter Sande (Heath, Gangster), Dick Winslow (Piano Player at Party), Harry Tyler (Clerk in Bus Station), Franklin Parker (Police Stenographer), Noel Neill (Hatcheck Girl), Anthony Caruso (Marine Corporal) - - - - - Film noir is a cinematic term used primarily to describe Hollywood crime dramas that set their protagonists in a world perceived as inherently corrupt and unsympathetic...Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s...Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography, while many of the prototypical stories and much of the attitude of classic noir derive from the hard-boiled school of crime fiction that emerged in the United States during the Depression...the term film noir (French for "black film"), first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most of the American filmmakers and actors while they were creating the classic film noirs..the canon of film noir was defined in retrospect by film historians and critics; many of those involved in the making of film noir later professed to be unaware at the time of having created a distinctive type of film ... featuring top performances from the '40s and '50s with outstanding drama and screenplays, along with a wonderful cast and supporting actors to bring it all together ... another winner from the vaults of almost forgotten film noir gems
SPECIAL FEATURES BIOS:
1. Alan Walbridge Ladd
Date of Birth: 3 September 1913 - Hot Springs, Arkansas
Date of Death: 29 January 1964 - Palm Springs, California
2. Veronica Lake (aka: Constance Frances Marie Ockelman)
Date of Birth: 14 November 1919 - Brooklyn, New York
Date of Death: 7 July 1973 - Burlington, Vermont
3. William Bendix
Date of Birth: 14 January 1906 - New York, New York
Date of Death: 14 December 1964 - Los Angeles, California
4. George Marshall (Director)
Date of Birth: 29 December 1891 - Chicago, Illinois
Date of Death: 17 February 1975 - Los Angeles, California
Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc), Bob Nareau (author of "The Real Bob Steele") and Trevor Scott (Down Under Com) as they have rekindled my interest once again for Film Noir, B-Westerns and Serials --- looking forward to more high quality releases from the vintage serial era of the '20s, '30s & '40s and B-Westerns ... order your copy now from Amazon where there are plenty of copies available on VHS, stay tuned once again for top notch action mixed with deadly adventure --- if you enjoyed this title, why not check out VCI Entertainment where they are experts in releasing B-Westerns and Serials --- all my heroes have been cowboys!
Total Time: 100 min on VHS ~ Universal Home Video ~ (3/26/1996)
A Great Los Angeles Oriented Film Noir March 12, 2007
Only-A-Child
Appropriately compared and contrasted to "Double Indemnity" (1944), Raymond Chandler's other great Los Angeles oriented film noir screenplay, "The Blue Dahlia" (1946) shows a part of Los Angeles a bit further down on the socio-economic peeking order. Lower middle class LA is a world of "neighborhood bars and bungalow courts". Post war Los Angeles is not sunny California but a shadowy labyrinth whose denizens are in love with the night. The title character is not a reference to Elizabeth Short, who would have seen the film from which she picked up her "Black Dahlia" nickname, but a low-grade nightclub on Sunset Blvd.
Recently discharged USN officers, Johnny Morrison (Alan Ladd), Buzz Wanchek (William Bendix) and George Copeland (Hugh Beaumont-I think Ward Cleaver was actually a Seabee) return to Los Angeles with some service connected problems. Buzz has a metal plate in his head and some mental damage; George's eyesight has gone bad; and Johnny is trying to adjust to his new hero status.
While Buzz and George set up together (in what some have speculated is a funny relationship) Johnny gets busy finding out what his wife Helen (Doris Dowling) did during the war. To his disgust he discovers that she is the mistress of a draft-dodging hood named Eddie Harwood (the owner of the title character). Helen then confesses that her drunk driving was responsible for the death of their son.
Helen is murdered that night with the primary suspects being Johnny, Eddie, and Buzz (who had already managed to become Helen's drinking buddy). Enter the beautiful Veronica Lake as Joyce Harwood, who picks up Johnny while he is wandering around in the rain. It turns out that there is a reason she and Eddie have the same last names.
The plot gets complicated after this, with Johnny and Joyce running around in a Phillip Marlowe way attempting to solve the murder and encountering a wide range of Chandler's bizarre and nasty people.
Chandler's original idea was for Helen's murderer to be a battle fatigued veteran, but the Navy pressured the studio to change the story. Like Viet Nam there was a growing fear that many of the returning veterans were violent and unstable.
Then again, what do I know? I'm only a child.
Showing reviews 1-5 of 23
|
|
|
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME. Thanks for shopping with us! | |
![The Glass Key [VHS]](http://images.amazon.com/images/P/1558800573.01._AA75_PU_PU-5_.jpg)
