Nirvana |  | Director: Gabriele Salvatores Actors: Christopher Lambert, Sergio Rubini, Diego Abatantuono, Stefania Rocca, Emmanuelle Seigner Studio: Miramax Category: DVD
List Price: $29.99 Buy Used: $4.68 as of 11/21/2009 17:56 CST details You Save: $25.31 (84%)
New (32) Used (14) Collectible (1) from $4.68
Seller: dpjnsales Rating: 4 reviews
Format: Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC Language: English (Original Language) Rating: R (Restricted) Region: 1 Aspect Ratio: 1.85:1 Number Of Discs: 1 Running Time: 113 Minutes Shipping Weight (lbs): 0.2 Dimensions (in): 7.1 x 5.4 x 0.6
MPN: D39392D UPC: 786936275322 EAN: 0786936275322
Theatrical Release Date: 1996 Release Date: March 1, 2005 Availability: Usually ships in 1-2 business days
| |
| Similar Items:
| |
| Editorial Reviews:
Product Description IN A FUTURISTIC CITY, JIMI, A COMPUTER GAME DESIGNER IS EXCITED ABOUT THE LAUNCH OF HIS NEWEST GAME, NIRVANA. BUT DAYS AFTER THE LAUNCH, JIMI LEARNS THE MAIN CHARACTER WITHIN THE GAME IS ABLE TO THINK AND ACT ON HIS OWN. THIS BEGINS THE SEARCH FOR A HACKER WHO CAN DESTROY THE GAME.
|
| Customer Reviews: Waste of Money January 19, 2008 Ann L. Hamil (Redding, Ca. USA) 2 out of 5 found this review helpful
I like Christopher Lambert and have most of his films but this one was a total waste.
To begin the sound was obviously dubbed in and done badly at that. Most of the actors were not speaking english and it showed. those who were did not have the sound track in synk with the dialouge.
Second the story made little sense as it jumped around to much. I suppose if all you want is mindless action you might enjoy this but I prefer a good story with something to say. To this I say don't bother.
The Best Cyberpunk film ever. July 28, 2006 Manuel H. Porras Ortega (Mexico City.) 3 out of 4 found this review helpful
I know this is quite a claim, but I think this film gets Cyberpunk by the book. If you have read and enjoyed "Neuromancer" by Gibson, or "La última calle de la soledad" by Porcayo, you will know what cyberpunk is, and this film gets the essence very well.
The corporation, the sentient program, the hacker, the lost love, the friend, the cyber-prothesis, the well-known brands; everything is where it should. And the soundtrack is just great on its own.
And Matrix owns a lot to this film. I just would've wanted it to be in it's original language.
Beats the Matrix April 10, 2006 isala (Fairbanks, Alaska,, US) 3 out of 4 found this review helpful
This is a more low-key SF thriller in cyberpunk mode. Jimi has created a brilliant computer game, called Nirvana. However, one of his characters have developed sentinence, and wants to get out.
In a way, the world of Nirvana is grimmer than that of the Matrix, since it so much more believable, with megacorporations with their own laws and those outside of the corporations, and, hence, outside of the system, live in squalid but vibrant undercity complexes or travel around with portable cyberconnections.
The acting is superb with Christoph Lambert as a very credible burnt out hacker that just wants to be reunited with his dead wife.
This realesa of this minor masterpiece is long overdue. It takes a little while for the film to get started, but when it does - it does it with a vengeance.
Entertaining if convoluted thriller June 29, 2005 A. R. Hinton (Scottsdale, AZ USA) 8 out of 9 found this review helpful
In the tradition of The Crimson Rivers and Druids, this French language film loses something in the translation. But the idea is novel, even if it has been used before. It's not a great Lambert film, but's it worth it for die-hard fans.
The film follows Jimi Dini (Lambert) - a computer game programer, who's latest game is infected with a virus. The result - the game's main character get's a mind of his own and realizes that nothing's real, even him. He begs Lambert to destroy the game, so Lambert sets out on a journey through a futuristic Europe to do so. Also, Lambert is looking for his long lost love, and he also wants to shut down the big computer corporation that runs everything.
As I said the film is hurt in translation - and you don't always have a clear idea of what is going on. But the visuals are often stunning thanks to director Gabriele Salvatores and cinematographer Italo Petriccione, so that helps you through the story.
|
|
|